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Final Yamato‘s epilogue has an interesting history all its own. It was the last sequence of the production, cut together the night before the movie premiered in March, 1983. Thus, it was basically abandoned before it could be finished. When Nishizaki spot-checked it in theatres on opening day, he was so unhappy with it that he ordered it eliminated from all seven prints of the film showing in Tokyo. In other words, only viewers who caught the first screenings on day one got to see it.

The piece was reworked and lengthened over the summer into its finished form, which was attached to the 70mm re-release. In 1989, after wresting the Yamato catalogue from other video labels, Bandai rolled out its first laserdisc box set of all the movies, which included the first cut of the epilogue as a bonus feature. It has been included in all subsequent releases since then, and can also be found on the DVD from Voyager Entertainment.

Though their content was basically the same, here’s how the two versions differed…

Fade up on two different paintings of Planet Earth.

Dissolve to waves lapping against a shore. Version B added color enhancement and glitter.

Yamato crewmembers run along a beach. All of these shots were redone for Version B to improve the likenesses and liven up their expressions.

Yuki in particular benefited from this revision process, losing the directionless stare seen in Version A.

Everyone runs toward the sunset. In Version B the sun is still mostly above the horizon and glitters on the water.

Everyone lines up at the shoreline. Version B gives them livelier expressions and more interaction.

This shot of Kodai and Yuki was done for Version B, which then cuts wide to see everyone standing together.

Version B also includes new shots of selected characters, mostly crewmembers who were cadets in Series III.

We go to a two-shot of Kodai and Yuki together. The color was warmed up for Version B.

Back to the group shot: Version B added a sun and animated Yuki’s dress blowing in the breeze. (It was unmoving in Version A.)

The other characters fade off, leaving our two lovebirds with eyes only for each other. These two shots were redone for Version B in the warmer color palette.

This animation of Kodai was good enough to keep, but the sky behind him was changed for Version B.

The next shot ended on slightly different angles from A to B.

Who hears wedding bells? The animation was the same in both versions, but the color tint was altered.

You may kiss the bride. Version B goes to a different background here, and the most notorious divergence of the entire film begins.

All Earthly cares dissolve away along with all Earthly clothes. In Version A, we stay with the lovers for a while they consummate their marriage on camera. In Version B they drift off into outer space where we cannot follow to intrude on their most private and tender moment.

Version B then takes an entirely different turn, reuniting us with the Queen of Aqarius.

She delivers a short lecture on the grand cycle of life in the cosmos, and the film’s narrator returns to say his eternal goodbye to Yamato. Version B then fades to black.

Version A concludes with a thoroughly satisfied Yuki and then goes to end credits. Whereas Version B’s credits roll over a quiet ocean background, A gives us a welcome montage of past moments and one more round of the classic Yamato theme song.

This particular rendition of the theme was called Space Battleship Yamato ’83 and was newly recorded for the film. Oddly, it was left out of Version B entirely, even though it remained listed in the credits. Just for the sake of complete internal accuracy, it was restored to the Voyager Entertainment DVD release.

Both versions of the film end with one more divergence. Version B simply says, “End.”

Watch the Version A epilogue on YouTube here

Continue to 1983 magazine coverage