The Dengil Empire received a lot of design attention, but no model kits whatsoever. This was an arena that fans had to completely fill on their own with DIY garage kits in later years. All known Dengil models are presented here.
Your guide to everything seen in Final Yamato on the Yamato and Dengil sides, originally released as bonus features on the Voyager Entertainment Final Yamato DVD.
The end of the long road comes with the 70mm encore release of the film, followed by the ultimate Final Yamato book to rule them all. When the clock ticks over to 1984, Producer Yoshinobu Nishizaki takes Final Yamato to the international stage and lays out a new future for the fans. See it all here.
From December 2012 to July 2015, the making of Final Yamato was examined in detail through a series of articles that followed every stage of the film and its unprecedented media coverage. This index provides a broad overview with links to each article, from early preproduction in 1981 through the last echoes in 1984.
To casual viewers, the Yamato saga was over when Final Yamato closed in theaters. but for the fans there was still the forthcoming 70mm upgrade which turned their summer into a waiting game. Fortunately, there were plenty of things to make the wait easier.
Some serious book publishing began just after Final Yamato closed in theaters, which happened to coincide with the last of the monthly magazine coverage. This was the month when fans had their say about the film, and opinions ranged as widely then as they do now.
Now that the movie was released into the world, everyone had something to say about it both pro and con. The conversation was just beginning as this month’s wave of magazine, book, and music publishing hit the stores – and the very first arrival of Yamato on home video was right behind it.
By Arthur Painter with Franco Carmona and Tim Eldred. The last story of the original Yamato saga was the biggest, most ambitious one of them all with almost ten years of gravitas. Here we review it scene by scene with observations, trivia, making-of notes, and fan perspectives on the concluding chapter. [4 pages]
March 15, 1983, was the last big day for fans before Final Yamato premiered on the 19th. “Big day” in this case refers to several things happening at once, so that’s where this Time Machine visit begins. Here we cover publications that filled the latter half of the month, including unique magazine coverage from Kinejun.
As the first official Final Yamato publication direct from the home office, this was the most comprehensive one available when the film premiered in March 1983, with slick color images, many new stills and paintings, and extended essays. See it from cover to cover with translations here.
As the wait for Final Yamato came down to the last two weeks, the anime magazines hit newsstands just over a week before the premiere, which put them in a real sweet spot. Anticipation would never be higher, and spoilers would never be thicker. It would be the last Yamato coverage for some, so they left nothing out.
With the Final Yamato trailer in theaters, this was the last full month everyone got to enjoy the anticipation of what they would see in the film – despite Yoshinobu Nishizaki’s best attempts to spoil it by revealing the biggest surprises. He always did enjoy setting traditions more than following them.
This month, the first big chunk of the Final Yamato storyline was fully revealed up to the ship’s launch, and the monthly anime magazines dug in deep. It’s unthinkable in today’s entertainment world for so much be known in advance, but Exec Producer Yoshinobu Nishizaki always played by his own rulebook.
Stories have since come out about how frantic the final months were on the Final Yamato production side, but fans knew little of this at the time. All they had to go on was what they read in the media, and January had a record-setting amount, starting with the publications covered in this installment.
This was the first month finished color designs could be released for Final Yamato, resulted in a wave of publishing that demonstrated the specific visual tone of the movie. Between the anime magazines and the first novelizations, here’s everything that got a loyal fan through the month of December…
With so many Final Yamato albums in the mix, creating a definitive track listing is a very complex task. With over 60 individual tracks to deal with, sorting them out is a major undertaking. But, with all the necessary puzzle pieces in one place, the Final Yamato music mountain can be conquered.
Coverage in Japan’s monthly anime magazines took an important turn when movie production reached a point where cel animation existed to generate publicity stills. Thus, after many months of nothing but design and development art, fans could finally get a preview of what would actually be projected onto the big screen.
This was was a good month for SF anime, seeing the debut of both Macross and Endless Road SSX, both of which were covered in anime magazines along with news of Final Yamato‘s mecha and music. Plus, the Yamato fan club magazine published a first-hand account of the momentous ten-year celebration party.
The 6-month countdown to Final Yamato‘s premiere began in September ’82, and the four major anime magazines each did their part to make the wait a little easier. Check out vintage news and interviews from Animedia, The Anime, My Anime, and Animage with its mighty Yamato Dictionary!
Beginning this month, Japanese fans had no less than four anime magazines feeding them Final Yamato news, and this particular crop had some of the best Yamato coverage of any kind with one interesting feature after another, plus exclusive event reports from issue 30 of the official fan club magazine.
Here, we continue our look back at how Final Yamato media coverage in Japan progressed month by month up to the premiere in March 1983. This Time Machine includes articles from The Anime, My Anime, and Animage magazines published in July, 1982.
In April 1982, Yoshinobu Nishizaki conducted a press conference that officially broke the news of Final Yamato‘s production. He gave editors plenty to sink their teeth into, and beginning with their July issues (published in June), they kicked off what would become almost a year of non-stop Yamato coverage.
With Final Yamato, everyone had the chance to track a Yamato project from its first moment of development. Nishizaki welcomed it, wanting the fans to have an active role in deciding the course of Yamato‘s last journey. The result of this openness was more media coverage than any other film to date, and it all starts here.
Yamato had always been made with music at its heart. Most other movies and TV shows basically treated music as an afterthought, something to be added at the end of the process. Yamato went the other way, making music an integral part of the process from the earliest stage. And no film generated more music than Final Yamato
Final Yamato set a new record when its first video release arrived before the film itself finished its first run in theaters, and that was only the beginning. When a revised 70mm director’s cut followed in late 1983, it kicked off a long sequence of video releases accompanied by increasingly unique packaging.
Brainstorming Sessions, May-July 1981
For the first time in anime history, the conception of a film was made part of the public record while it was still in progress. We begin with this segment, which reproduces the major talking points of all six Final Yamato brainstorming sessions.
Story Drafts, May-August 1981
Here we track which ideas planted the seeds for the final product and which were blown away on the wind. Some would have lead to a variant of the film while others would have created different stories altogether.
